Bollypedia
This is a happily constructed nonsense and a dream of a cinephile, full of life. Watch this movie as a sort of LSD trip and that will be the best way to do justice to the movie, which has survived the test of time and not only that; even found great admirers among today’s Indian cinema’s major filmmakers like Anurag Kashyap and Imtiaz Ali among others. Any work like this needs a zany situation of a similar kind to truly understand the legacy, influence and cult of something so transcendental like Om-Dar-Ba-Dar.
Anuradha
The Indian Express

I’ve just stepped out of Om-Dar-Ba-dar, and I am gobsmacked all over again by this theatre most absurd. I’d seen it before, on TV screens and on laptops, but this digitally restored version by NFDC was my first big screen showing, and a renewed delight. It’s hard to put `Om- Dar-Ba-Dar’ in a box. You can see Kamal Swaroop ticking off his charter : put in corrosive anger against the system, cock a snook at tradition and superstition and religion and rites ( the film is shot in Ajmer and Pushkar, and has `pandas’, and astrologists). Poke fun at `progress’, ( or what passes for it), and advertising, and commerce. And what Holden Caulfield would have termed ‘phonies’.  Om Dar-Ba-Dar is a classic protest film because it rebels against everything, with lines which perhaps sound wiser than they are, especially when you hear them again. One of my favourites is included in a “letter to the Prime Minister”, written by the father, former government servant, now astrologer : “please ban googly in cricket and life in general”. Amen. Welcome to the trippiest film made in Indian cinema. 

Shubhra Gupta
Om Dar-B-Dar
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