Karle Pyaar Karle is definitely a potential Bollywood hit with mass appeal. It has all the right ingredients: 1. Groping, stalking and assaulting female characters (to which said female characters seldom object) 2. Making fun of the other guy by telling him you're straight and not interested in him 3. The villain punishes the heroine by trying to make her marry a man of African origin - or as Ken and Barbie call him, "Kala sand.” Never mind political correctness or even basic human decency, everything goes in Lavasa City. Parents keep abusing/getting abused, kids keep killing people and everyone has guns. Logic gets suspended here as easily as gravity in space and no one has any motivations for their actions. All's well that ends well, and at least this one ends. Period. The only thing that you will be asking yourself after watching Karle Pyaar Karle is maine pyaar kyun kiya? Oh, and Game On!

Karle Pyaar Karle (KPK) is cinema born in the '80s, rechristened in 2014. While the film has been lavishly mounted because it supports Bollywood's nepotism, practice of a producer (Suneel Darshan) making a show reel for his son ( Shiv Darshan), scant respect is paid to even trying to give you a halfway decent story with contemporary treatment. Instead, you are introduced to Shiv's (Kabir) skills to ride, fight, dance, romance and cry in that order. Dialogue like 'either you have *shit in your b*m or dum in your b*m*' make you cringe. The film is full of cliches of mainstream cinema. And the characters, like the parents of the boy, the quiet suffering mother of the girl, the villain (DG) who owns a meat factory, his spoilt son (Jazz), the son's sidekick (Goldie), are caricatures that have been a part of Bollywood potboilers for eons. It's time to bury these fast and furiously, rather than attempt to glorify them like KPK does.For a debut, Shiv displays a tiny spark. Hasleen shows spunk.